Posted in Book Reviews, Method Books, Pedagogy, Repertoire, Sheet Music

Violin Method Books: A head-to-head comparison

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Cut to the Coda: The method book comparison chart printable!

Method books for music readers

I teach young beginner violin students to read music from the start. I use method book series to teach concepts in a logical sequence, but have yet to find “the perfect” method book that exactly matches my preferred teaching progression.

Most published violin method books in the U.S.A. were written for elementary-age mixed-instrument school music classes. So sometimes the sequence for violin students delays the introduction of the E-string notes (Essential Elements Book 1), because the cello and viola students in the class don’t have an E string. Some books advance more quickly than others, with fewer pages and examples between introductions of new concepts. Some Level 1 books leave out skills that other Level 1 books cover, like low second finger. All seem to be written for group instead of individual instruction. And most haven’t been updated for 20 years or more. Witness “String Builder,” unchanged since the 1960’s and the book used in my 3rd grade orchestra class!

An old favorite…  Continue reading “Violin Method Books: A head-to-head comparison”

Simplified Piano Accompaniments for Violin Student Repertoire

I am not an advanced-level pianist with excellent sight-reading skills. I get finger-tied trying to play most published piano accompaniments to violin student solo pieces. But there is something so satisfying about supplying the underlying chords and harmonies when a student is learning a new piece. That piano part represents at least half of the music the composer created for us to enjoy. So I’ve come up with substitutes for the full piano score, from simplified or chorded piano parts, to turning the piano score into a violin duo part with as many double-stops as possible.

My copies of the piano accompaniment books for student repertoire are marked up with my own note reductions, chord notations, “Left hand only” warnings and alternate voicings. I use my markups to play along with a student during all stages of their learning a new piece of music. I’ll even play them at a recital in a pinch!

Would you like to be able to prepare your violin students for accompanied performances by playing piano with them on a regular basis? Is a student’s understanding of their piece lacking because they can’t hear the underlying chords when they are learning it? I’ve started transcribing my scribbles into clean, easy-to-read piano sheet music, and am now releasing it for digital download over at SheetMusicPlus. Here are four transcriptions to accompany solo pieces found in Suzuki Violin School Volumes 1, 2, 3 and 6.

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Brahms – Waltz in G for Violin and Piano – Simplified Piano Accompaniment
Composed by Johannes Brahms (1833-1897). Arranged by Paul Klengel, Jane Melin. Classical Period, Method, Repertoire. Score. 2 pages. Published by Jane Melin (S0.1021265).
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Corelli – “La Folia” Simplified Piano Accompaniment Variations in D minor
Composed by Arcangelo Corelli (1653-1713). Arranged by Jane Melin. Baroque Period, Repertoire. Individual Part. 6 pages. Published by Jane Melin (S0.1039991).
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Dvorak – Humoresque for Violin and Piano – Simplified Piano Accompaniment in D/Dm
Composed by Antonin Dvorak (1841-1904). Arranged by Jane Melin. Romantic Period, Method, Repertoire. Individual Part, Score. 6 pages. Published by Jane Melin (S0.1020641).
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Gossec – Gavotte for Violin and Piano – Simplified Piano Accompaniment
Composed by Francois-Joseph Gossec (1734-1829). Arranged by Emil Kross, Jane Melin. Classical Period, Method, Repertoire. Individual Part, Score. 4 pages. Published by Jane Melin (S0.1021377).

I’ll have more links for you soon, including violin duos for more Suzuki selections. Check out my full Sheet Music Plus catalog as it grows!